- #Native instruments service center pdf start menu full version
- #Native instruments service center pdf start menu Patch
Sometimes there will be variations of the phrase available. This is normal and reflects that there is not necessarily an obvious high, mid and low split for that phrase. Be aware that with a few patterns there may not always be 3 phrases available, and 1 or more of the 3 keys may not have a phrase assigned. Once you’ve chosen a phrase, the high, mid and low versions of it will be assigned to the relevant 3 keys of your keyboard, depending on the orchestra section and preset.
#Native instruments service center pdf start menu Patch
Use this patch when you only need just one pre-mixed version of Espressivo, which will conserve RAM and CPU. Instead, the samples have been pre-mixed from the four recorded positions.
#Native instruments service center pdf start menu full version
This patch function in exactly the same way as the full version but does not have microphone-mixing options. We have included a ‘Lite’ version of Espressivo.
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We love to hear what our valued customer base can do with our products, so let's work together to create something special. We, at Sonokinetic BV, are very proud to introduce Espressivo and can’t wait to hear how you put it to use in your own compositions. Pads, rhythmic loops, crescendi, melodies and stabs all meld together in one gloriously terrifying instrument sure to add realism, authenticity and a dose of drama to your cues. For the first time ever with a Sonokinetic library you can trigger up to 48 phrases simultaneously (from the hundreds available), all tempo synced and with multiple microphone options.
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After they were done we wrapped the performances in a brand new Kontakt engine to ensure maximum flexibility and playability from the hundreds of phrases on offer.
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Our strings, brass, woodwind and percussion players wrung everything out of their instruments. In the recording sessions we pushed our orchestra to their physical and mental limit and they rewarded us with some extraordinary playing techniques that would be just impossible for a composer to pull off using multi-sampled libraries. Many other composers such as Karlheinz Stockhausen and Charles Ives have been our inspiration too, creating a palette of sounds which provide both inspiration and intimidation. These dissonant strings, stabbing brass sections, skittering percussion and aleatoric woodwinds are as synonymous to the genres, making our hair stand on end and forcing us to avert our eyes from the screen. The sounds of horror, terror and suspense are as old as cinema itself, from Herrmann's "Psycho" & "Vertigo" to Goldsmith's "Alien" & "The Omen". For this reason we can't wait to hear what you create using our most intense library yet. The performances captured in these libraries have been put to use by our composer base in varied and surprising ways. Maximo for intense action, Sotto for subtle scoring and Grosso for dramatic chases. Many of our phrase-based libraries are conceived with a specific usage in mind.